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1. #DIGI 003 ONLY USING 44.1KHZ UPDATE#
2. #DIGI 003 ONLY USING 44.1KHZ DRIVER#
3. #DIGI 003 ONLY USING 44.1KHZ FULL#
4. #DIGI 003 ONLY USING 44.1KHZ MAC#

#DIGI 003 ONLY USING 44.1KHZ MAC#

If you're unsure which specific Mac model you have, you can find this information by clicking the Apple Logo in the top left corner of the screen, then going to About This Mac > System Report. iMac Retina 5K, 27-inch, Mid or Late 2015).

#DIGI 003 ONLY USING 44.1KHZ UPDATE#

We have recently been made aware of some problems with Clarett interfaces when used in conjunction with the latest update to El Capitan (version 10.11.5) and later (including macOS Sierra) and a particular iMac Model (Model Identifier: iMac 17,1. We will update this article and any customers who have previously raised this issue with our support team as soon as possible. Unfortunately, since the issue occurs only on one very specific system and only occurred after an update to OS X, we have requested assistance from Apple and are liaising with them to find a permanent solution. We have been doing all that we can to find a resolution since learning about the problem and are continuing to do so. If you have a Clarett interface and the affected model of iMac please Contact Support who will be able to send this out for you to try.

#DIGI 003 ONLY USING 44.1KHZ FULL#

This build has had some testing but has not yet been through our full QA procedure, though we are seeing positive results with this version.

#DIGI 003 ONLY USING 44.1KHZ DRIVER#

We have a build of our Thunderbolt driver which we believe alleviates the problem with glitchy audio present on iMac 17,1 systems - this build fixes the problem with playback at all sample rates, however on some systems there have been reports of occasional clicks/pops when recording. F ound this on Focusrite website, and this is my computer and build so, just my luck.I'll keep working on it.

but that is just how i ended up going, you could spend more or less, go easier or harder, simpler or more technical, as long as it gets the job done thats the main thing.Thanks Joel.UI have done the Optimization. My point here is, after the ultrgains failing and having to be fixed several times and going threw 4 of the converters before giving up, i spent $50 bucks on a used 4 channel mixer with a built in usb port and eliminated that whole equation. all in all once you got the whole set up going a $250 mbox and all the stuff to get the ultragain to work is not that far apart cost wise. you mise well forget about the optic ports since not to many things other then tv's and dvd players even have them anymore. or you can buy a trs to rca jack for a couple bucks and bypass the ultragain all together. which means you have to buy something else to convert xlr to rca. Ultragain + usb converter is not all thats required. and to some people $40 bucks every few months may be worth it, ok. The difference between using something like an mbox and an ultragain w/ a usb converter is that the mbox is more stable, the ultragains are prone to pots going out and various other things, as well as those cheap $40 usb converters (i didn't say lots of money mind you), if you check around many many people have complained about 1 side or the other shorting out after a few months use. and just speaking from experience (i have 2 of them sitting in the studio right now) just to convert analog to digital and vise versa there are easier and better ways to do it.

Maybe i phrased that wrong, i was just pointing out that it does not hook up to a computer like people were suggesting. Mic/line inputs are routed to ADAT output The ADAT I/O can be operated independently with an identical word clock signal.īehringer ADA8000 Ultragain Pro-8 A/D/A Converter Features:Įxternal sample rate synchronization via word clock or ADAT inputĪDAT input can be routed to all line outputs Selectable signal conversion allows processing at 44.1kHz or 48kHz with 24-bit resolution. It will even connect the digital signal of a multitracker via ADAT to the 8 line outputs of the ADA8000. You can connect analog audio signals directly to a multitrack recorder or similar equipment via the integrated ADAT interface-and it takes up only one rackspace. The Behringer ADA8000 Ultragain Pro-8 A/D/A Converter is a state-of-the-art 8-channel A/D/A converter with built-in phantom-powered Invisible Microphone Preamplification (IMP) mic preamps.